Friday, November 25, 2011

Magpies

 This family of Magpies has been coming to my house for about 3 years now.  They have a particular call for me on days when I've not put any food out yet.

There is a large bear population in this area making it a bad idea to have a compost bin with scraps of food in it so they recycle my left overs for me and in exchange provide some entertainment.

I've read that they prey on eggs and nestlings of smaller birds but my huge flock of sparrows and finches don't seem to mind them, even when nesting so perhaps it's the scarcity of food that makes they prey on smaller birds.



I have no idea why this fellow has a crest on his head.  I didn't see it when taking the photo and even enlarging it didn't reveal why.
He does have a beak full of stale muffin.

  The photos aren't great as magpies are hard to capture with a camera. They are very alert and intelligent so the slightest movement scares them away

Here are a few Magpie images by various artists for sale at Zazzle

Watercolor Magpie in Bird, Animal Collection print
Watercolor Magpie in Bird, Animal Collection by countrymousestudio
sell your art online with zazzle.

I love the pose of this Magpie on the Fence from aquartistic

A Magpie perched on a fence bag
A Magpie perched on a fence by aquartistic
View other Magpie Bags

The colors are beautiful on this one from  lemmingsolution

Yellow Billed Magpie print
Yellow Billed Magpie by lemmingsolution
Browse Yellow billed magpie Posters

Great bird images for all species available from  birdorable

Monday, November 7, 2011

Feeding the Birds

Cute Chickadee Bird, Nature, Wildlife photosculpture


My husband and I agreed that it was time to stop feeding the birds.  I've seen numerous posts on the internet about the increasing cost of bird food. Without expensive seed like Niger, I was mostly feeding sparrows and chickadees, magpies and a few quail and in spring, a duck family.
Cute Curious Duck, Farm Bird, Garden photosculpture



So last spring, I decided to quit at a time when they could find their own but they never went away.  They sat out in the hedge calling and cheeping. What could I do? I had some cereal no one wanted to eat, one of those healthy ones that tastes like bird food.  They loved it.  Then I had some stale wholegrain bread and healthy muffins with peanut butter, a little bit of oatmeal, stale raisin bran, 9 grain cereal.  The magpies came by so I added fat scraps from the ham and leftovers.  Nothing like seeing a magpie try to balance on a line with half a muffin in his beak or a couple strings of spaghetti.


Curious Magpie, Looking at you, Humor Bird photosculpture
 
As cold weather arrived, I realized the birds weren't going anywhere so I went to the farm supply and asked what the cheapest edible food they had.  The cashier laughed and said chick scratch.  She said a lot of people feeding birds were switching since it was cheaper.  It's a mixture of chopped corn and wheat, half the price of sunflower seed and with absolutely no waste.

I've been feeding it for two months now and I think I have every sparrow in the neighborhood including a few song sparrows.  The flock of California quail has tripled and I don't think they'd leave the yard except for the neighborhood cat.  The magpie family is up to 8 or 9 now and they call if I forget to put it out or sleep in.
Cute Chickadee and Snowman, Christmas Winter Birds photosculpture








The good news is I've cut down my cost of feeding the birds to about half and am recycling leftovers too

Saturday, November 5, 2011

Interview with Judy Adamson

Judy interviews artists on her blog all the time but no one had interviewed her. See my last post for more of her images.

I grew up in the Isle of Wight, which may explain why I love to paint boats, but I’ve lived in various other parts of the UK before moving to Wales, nearly ten years ago. Part of the attraction of living in Wales is the wonderful mountain scenery but I’ve painted the local Meadows more than anything else, and I think this is because I also loved the flat landscape of parts of Norfolk, where I lived previously.



55th Birthday Card - blue boats card





1.When did you begin to be interested in Art?
I grew up with four much older sisters and two older brothers and most of them drew and painted to some extent. So some of my earliest memories are of one of my sisters, who was a schoolteacher, teaching me to read and drawing little pictures to illustrate the letters of the alphabet. Drawing just seemed to be the natural thing to do in my family, though I can’t remember either of my parents drawing.





'Burgundy Geraniums' Poster/Print print

2. Has anyone in particular encouraged you?
Yes, in fact my mother always encouraged me to draw on any scraps of paper that were to hand. Although there was very little spare money around in such a large family, she bought me some little books that I still have today, one about the Impressionists and one about Renoir.

My art teacher at the boarding school I attended from 11 – 18 was also very encouraging, though I got my second lowest mark for Art in the exams we took at 16 – I hated drawing balls of string and wilting philadelphus flowers pinned to our drawing boards on a hot summer’s afternoon!


16. Gloucester Docks 05 Size 3 400 dpi profilecard

3. Have you done formal Art Training?
No, I’m afraid my mother’s encouragement didn’t stretch that far! I very much wanted to train to be a ‘commercial artist’ but my parents believed that Art Schools were full of ‘Beatniks’ (this was the early Sixties!) so I did a degree in Modern Languages instead.

I’ve been to various Adult Education classes but the only ones I really benefited from were the Life Drawing class and the Art and Design class at Wensum Lodge, when we lived in Norwich. Even then, it was more the encouraging, free atmosphere, with expert advice on hand, that taught me more than the formal parts of the lessons.



'Winter's Walk' Fine Art Christmas Card card

4. What is the most important thing you've learned from experience, or other people?
Probably the most important thing is not to worry about my art! I used to fret about whether I was doing it right – because I hadn’t had the Art School training. A neighbour who had trained at the Slade and later taught Art, got sick of me pestering her with questions and told me ‘there ain’t no knitting pattern, gel!’ – she also held some of my watercolour landscapes under a running tap and much improved them!!!!


5. Who is your favourite artist and why?
I’ve loved Cezanne’s work http://www.paul-cezanne.org/ since I was quite young, difficult to say why but it just seemed ‘right’.
More recently I’ve developed a liking for Paul Klee http://www.worldgallery.co.uk/gallery/Paul-Klee-1.html?affiliate_id=3000&keyword=Klee&gclid=CJLqiuTNn6wCFRRc4QodGDCR-g,  C.R. Mackintosh  http://www.worldgallery.co.uk/gallery/Rennie-Mackintosh-1.html?affiliate_id=3000&keyword=Mackintosh&gclid=CIr_ztbQn6wCFYEZ4QodOzpc_ Q Gaugin  http://www.myartprints.co.uk/a/paul-gauguin.html/&pid=UK999?gclid=CJyf7vXOn6wCFRRc4QodGDCR-g and Degas http://www.myartprints.co.uk/a/edgar-degas.html&mpos=1003   and when it comes to illustrators, Quentin Blake  http://www.quentinblake.com/ and Ezra Jack Keats http://www.ezra-jack-keats.org/ have to be my favourites. On the other hand, there are far too many artists and illustrators whose work I enjoy to give a full list but I find myself still very much drawn to the Impressionists – maybe something to do with those little books my mother bought me when I was still a child?



'Golden Sunflowers' BlackBerry Curve Case casematecase

6. Do you paint regularly?
I try to but it doesn’t always work! Sometimes the need to paint or creating a design overwhelms me and I take time out when I should be doing other things but it also happens the other way around with tedious chores crowding out my painting time.

Roughly how much time do you spend painting? Nowhere near as much as I would like! I’m often lucky if I can get an afternoon a week – and that’s at the expense of having a social life!




Mountain Scenery Thank You Notecard card

7. Do you paint fast or slowly and meticulously?
When I paint my soft pastel paintings, I work very fast, usually completing one in the time it takes to play a CD – about 45 mins. If I go on longer, I tend to ruin what I’ve done.

But I’ve had to adapt to working more slowly and meticulously for some of my greeting card designs. For one thing, there’s usually a lot more small-scale detail than in my pastel paintings. But also, there are considerations like waiting for the paint to dry!



Monmouthshire Garden Poster or Print print

8. What is your favourite medium?
For my own use, soft pastels or oil pastels, both of which I love using because there’s no mixing or changing paintbrushes involved, all of which tends to interrupt my ‘flow’. Recently I’ve enjoyed making ‘painted paper collages’ as greeting card designs. But I am tremendously attracted to other people’s watercolour paintings, especially if they’ve succeeded in achieving a transparent, fluid effect.


Near Abergavenny Castle Print or Poster print

9. What subject matter draws you to paint it?
I seem to have painted a lot of landscapes and flowers but it’s more the composition of shapes and colours that attracts me so that could be anything at all, if the composition seems to ‘sit right’ for me.



Great Massingham, Norfolk - Print or Poster. print

10. Do you paint from photos, sketches, memory, en plein air?
I rarely, if ever, paint ‘en plein air’ these days; my scary encounter with some deer who crept up behind me and tried to eat my watercolour tubes really put me off! So a digital camera has become my sketchbook these days. On the other hand, I do a lot of greeting card designs from my imagination, just using reference photos on the internet to check things like anatomy occasionally, particularly if animals are involved. It’s so easy to think that we all know exactly what a squirrel, for instance, looks like, but when it comes down to it, I need reminders of things like the shape of its head, the position of its ears and so on. Maybe this is because I don’t have a very good visual memory.




Bruges Canal Poster or Print print

11. Where do you sell your work?
I have sold my original pastel paintings and prints through solo exhibitions in the past. But I think the Art Teacher who told me that I’m a designer rather than a fine artist was right – I’m far more interested in designing greeting cards and using my designs on other products these days. So I sell my greeting cards through Greeting Card Universe, http://www.greetingcarduniverse.com/judyscardstore CardGnome http://www.cardgnome.com/shops/flutterby-designs and, more recently, SendaSmile, http://flutterbydesigns.sendasmile.com/ as well as Zazzle. http://www.zazzle.co.uk/helikettle* I also sell my greeting cards in local shops but getting a price for the printing that makes sense is difficult so I don’t spend too much time on that. A few of my pastel paintings are available as prints on Red Bubble http://www.redbubble.com/people/helikettle/portfolio and Fine Art America. http://fineartamerica.com/profiles/judy-adamson.html



Great Massingham, Norfolk - Print or Poster. print
12.How do you feel about parting with your originals when someone buys them?

I hate it and feel compelled to make sure that my painting is going to ‘a good home’!




Path Near Castle Meadows, Abergavenny Print print

13. Do you or have you ever painted to commission?
I have occasionally tried to paint things specifically for a friend, such as a painting of their house. But I didn’t enjoy it much. On the other hand, I sometimes find it useful to have a ‘Design Brief’ as a starting point for a greeting card design. How I interpret that brief is sufficient freedom for me and I’m glad of the parameters the brief gives as it gives me something to focus on.



Sugarloaf Mountain from Abergavenny, Wales print

14. Do you have any particular future plans or projects in mind?
Or where do you foresee your artistic journey taking you? I would really love to see my greeting cards sold widely in shops, I don’t have enough time to embark on self-publishing in anything but a very small way, which doesn’t make much sense financially. So the only route open to me would be if a publisher licensed some of my designs. In 2009 I had a ‘near miss’, with the publisher pulling out because of the economic downturn, after several months of keen interest,. I’m planning to create some new designs to submit to publishers after Christmas, not expecting too much as it’s such a highly competitive business and publishers themselves are feeling the pinch. But even if I don’t succeed, I look upon this as a way to keep my designing up to a high standard.

Friday, November 4, 2011

Featured Artist - Judy Adamson

Judy Adamson was one of the first people I met when I started creating art for Zazzle.
 We became friends online and although she lives in Wales we discovered that we had a lot in common.  She has encouraged me many times when I was ready to give up and I'm grateful for her friendship.
She  features other artists on her blog http://judyadamsonartanddesign.blogspot.com/ and I would like to repay her kindness by showing you a collection of her beautiful art. 

This is her store at Zazzle http://www.zazzle.com/helikettle#
She also has stores at:http://www.cardgnome.com/shops/flutterby-designs  Card Gnome   and
Greeting Card Universe http://www.greetingcarduniverse.com/judyscardstore?gcu=43752923941&mid=cwu




She also does wonderful character paintings
 
Gone fishin' White T-shirt shirt
Gone fishin' White T-shirt by helikettle
Browse other t-shirt designs made on zazzle.com






This is just a small sample of the many hundreds of items available by this incredibly versatile artist.




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